ELIZABETH C. NELSON
  • Theatrical Set Design
    • Paul Robeson
    • Sophisticated Ladies
    • Black Girl: Linguistic Play
    • Firebird
    • Apollo Club Harlem
    • Ain't Misbehavin'
    • Flyin' West
    • Bulfinch's Mythology
    • Tape
  • TV & Film
    • Kitchen Nightmares
    • The Nate & Jeremiah Home Project
    • I Was Here
  • Model Boxes
    • Hamlet
    • Sweeney Todd: The Demon Barber of Fleet Street
    • Hay Fever
    • Sophisticated Ladies
  • Drafting & 3D Models
  • Photography
  • Resume
  • Instagram
  • About
  • Contact

Conceptual Design for
​Sweeney Todd: The Demon Barber of Fleet Street
based on a Mayan sacrificial pyramid

This high-concept interpretation of Sweeney Todd, typically set in 19th century London, features an unconventional setting for the musical - an ancient Mayan pyramid.  The pyramid stage slides back & forth in three sections, opening up several areas for different scenes to take place.  Multiple levels on the pyramid reference the original setting of the play, with the barber shop & chair on top, the pie shop mid-level, and the basement on the lowest level.  Instead of Sweeney's victims falling backward through a trap door from the second floor barber shop, they roll down the face of the pyramid as they did in the ancient Mayan sacrificial rituals. 
  • Theatrical Set Design
    • Paul Robeson
    • Sophisticated Ladies
    • Black Girl: Linguistic Play
    • Firebird
    • Apollo Club Harlem
    • Ain't Misbehavin'
    • Flyin' West
    • Bulfinch's Mythology
    • Tape
  • TV & Film
    • Kitchen Nightmares
    • The Nate & Jeremiah Home Project
    • I Was Here
  • Model Boxes
    • Hamlet
    • Sweeney Todd: The Demon Barber of Fleet Street
    • Hay Fever
    • Sophisticated Ladies
  • Drafting & 3D Models
  • Photography
  • Resume
  • Instagram
  • About
  • Contact